Debates about the significance and meaning of religious images were present in Judaism and in the earliest period of Christian art, a particular challenge being the ability to define the precise relationship between images and their Divine model or prototype. How was this challenge, and the earlier debates about the role of images in Christianity, presented and contested during the Iconoclastic controversy? (2500 words)
I'm done with all the minor essays of this module, time to tackle the big one. I've already combed the library for material. I might post my entire essay here after this semseter. I have a personal stake in this question.
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